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(Folk
Performances Win Rural Hearts)
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Rustic sights and sounds in an atmosphere
charged with creativity, contrasted sharply with the staid,
modern workshop setting in the folk media workshop held
at IMDUP, Lucknow in August 2000. Participants from 65
folk troupes were at their innovative best during the
two-day workshop under the guidance of a dedicated team
of trainers from Braj Lok Madhuri – an agency reputed
for training in traditional folk forms. |
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This was the second workshop for training
folk troupes supported by SIFPSA. The first workshop,
held in February 1999, trained 34 troupes in four popular
folk forms - Nautanki (folk theatre), Puppetry, Qawwali
(popular urdu poetry) and Alha-Birha. Magic, with its
ability to captivate audiences, was added as the fifth
medium in this phase. |
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Singing the Same Tune |
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To ensure that the messages disseminated
through folk media were clear and consistent, three scripts
for each folk form were written by experts. The same experts
then trained troupes on performing these scripts. Only
troupes with established credentials and registered with
the Song and Drama Division or the UP Information Department
were selected to maintain standards of quality. |
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The scripts used the theme of ‘Aao
Batein Karen’ (Come, let’s talk) with Tota-Maina as
the creative platform for synergy with the multi-media
campaign. The campaign’s attempt to initiate a dialogue
on a private subject like family planning lends itself
well to being conveyed through folk performances as the
performers have the opportunity to interact face-to-face
with the audience. |
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Detailed schedules for performances
in villages were developed by SIFPSA in consultation with
NGOs. Folk forms were chosen as per local demand and the
troupes sent out to the districts as per the programme.
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Performing Together |
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SIFPSA partners in the private sector,
primarily NGOs and the milk co-operatives, played an important
role in the implementation of the folk media campaign.
They were responsible for publicizing the programme in
advance as well as making arrangements locally like setting
up the stage, ensuring proper lighting, providing logistic
support to the troupes and making payments to them. Monitoring
of performances is done by frontline NGO & dairy workers
as well as their supervisors who keep a close watch on
the quality and the number of performances being held
and report to SIFPSA on a standardized format. |
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Roaring Applause |
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The response to folk performances has
been overwhelming. Family planning and reproductive health
messages carefully woven into the scripts with a measure
of entertainment to draw crowds and hold the attention
of the audience have proved popular. Crowds ranging from
200 to 2000 watched the performances with rapt attention.
Partner NGOs have reported an increase in queries on family
planning. The community health worker has gained popularity
in the villages wherever she was called on stage and recognized
for her efforts. |
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Three phases of the folk media campaign
have been successfully completed. Messages related to
child immunization, safe delivery practices, educating
the girl child have been added in the later performances.
More than 3500 performances in villages in 14 districts
have carried these messages to millions making this perhaps
the largest folk media campaign in the country. |